Kendo ceremonial form Reishiki
Kendo ceremonial form Reishiki
Reishiki is important for self-discipline and safety during the practice, since it reminds the
students that they are there to study seriously. The details of laying out equipment and the precise
form Reishiki takes will vary from Dojo to Dojo but that given here is fairly typical. The student
when visiting merely follows the particular form of that school. A training session without
Reishiki will be casual and lacking in form, which prevents the development of united spirit
among students and also leads to accidents. The effect of Reishiki is that from the moment of
entering the Dojo all outside thoughts are to be put aside until we leave again and to create a
proper atmosphere for serious study. The atmosphere should not be over strict or depressing.
Amusing incidents often occur and the students should feel free to laugh or talk providing that
this is not interfering with training. In actual fact the student is normally fully occupied during
training and so discipline is hardly a problem. Enforced discipline is of little worth. The student
must himself want to follow his own discipline and etiquette to build his character.
The correct style of entry to the Dojo is shown in plate 109, the breastplate and lower
armour have been donned in the dressing room and the head towel, gloves and loose cords placed
inside the mask, which is carried grill downwards under the left arm. The Shinai is carried in the
left hand, parallel to the floor. A Tachi-rei (standing bow) is made on entering the Dojo and the
more senior students line up in order of grade to the instructor’s left-hand side.
The spine and head are erect and the body sits
well back on the heels. The body-weight is dropped to the stomach and the hands placed on the
knees. The Shinai is placed to the left side with the guard level with the knee and the mask laid
on the gloves, to the front, with the towel draped across the top. The Senior student ensures all
are ready then shouts ‘Kyo-tsuke’ (attention) and everybody braces up and pays attention. The
second command will be ‘Rei’ and the class and teacher perform Za-rei’ (kneeling bow) as in
plate 111. The left hand is placed on the floor followed by the right, the elbows lowered to touch
the floor and the forehead to touch the hands.
A high ranking teacher will often be accorded the courtesy of a special salutation and on
the command ‘Sensei-ni-rei’ (bow to the teacher) the class bows whilst the teacher remains in
Seiza position. Japanese Dojo have a Kamiza or shrine and a bow is made in this direction. It is
also etiquette to pass in front of the teacher and perform Zae-rei by way of thanks after an
evening’s instruction and also to other students.
After the Rei have been completed a short period of meditation is made to calm the mind
and settle the thoughts. At the command ‘Mokuso’ (meditation), or ‘Muso’ (no thoughts) the hands
are folded in the lap, right over left (negative over positive) and silence reigns for about two or
three minutes. Students concentrate on breathing or the Chushin (body centre) and attempt to gain
the right frame of mind. This whole procedure is performed in reverse at the end of the evening.
Before any practice, exercise with a partner, or contest, the following form is always
followed. The junior approaches to the senior and both make Tachi-rei as in plate 112, in this
case the Shinai is at an angle as though in a scabbard. Next the two participants move to Ma-ai
(fighting distance) and drop down into the Sonkyo (crouch position) and make the motion of
drawing a blade with the right hand, over the head and down into the Chudan (middle step)
position. The left hand is placed in position as in plate 113, and upon standing and assuming
correct Seigan (natural posture) as in plate 114, they are ready to begin. The same form applies
in reverse on finishing.
All bows are performed as naturally as possible, with rather a military flavour, avoiding
both casual half bows and heavy elaborate ceremony. The bow is a courtesy or greeting to the
opponent and should be treated as such. Its meaning is that all students help one another to
progress and wish to understand one another by direct technique and spirit during practice or